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Artwork digitisation via ultra high resolution scanning reprography cameras
and 3D lighting

Beware of imitation services! 
We SPECIALISE in fine art reproduction, working with artists for over 30 years!
Our competitors don't own the dedicated and expensive 'digital reprography' equipment needed to produce
  'first generation', colour accurate, image reproductions. T
hey have to photograph your art on film,
process it and then scan it.  This is a really inferior solution that we stopped using in the
mid 1990's when we custom built our first 'digital scanback' reprography system.

Also see: Archival Fine Art Printing and our 'BIG Canvas' Promotion

 

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Contact Details
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Archival Certificate
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Digital Reprography


The DMA 48bit Difference


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Artworks are digitised using 'HD Digital Reprography' NOT flatbed scanning!
You can NOT use a print scanner to digitise canvas and watercolour art for reproduction. A scanner uses a narrow strip lamp that creates harsh shadows from the surface texture of the watercolour paper and canvas. If you print back onto textured paper or canvas you get 'a picture of texture' on top of the 'true texture'. Ugly!  'Digital Reprography' utilises multiple diffused studio lights for shadow minimisation. See this example...

Scans exaggerate paper textureSoft light reprography minimises it
Enlarge

High Definition Digital Reprography using a 384 MegaPixel scanning camera...
Our custom built digital reprography system uses a super high resolution 'BetterLight' scanning back located in a 4" x 5" perspective adjustable studio camera fitted with the world's best Schneider apochromatic optics.. This set-up produces incredibly detailed 384 Megapixel images (the higest resolution medium format digital capture backs are currently only 39 Megapixels)! Our copy rig also allows us to precisely 'shift; artworks in any direction in case we want to digitise very large art in smaller sections and use custom 'stitching' software to join the sections for almost unlimited resolution! Finally the colour accuracy of our ICC profiled systems reduces the number of proofs needed for accurate colour and tonal reproduction and a Gretag Macberth colour chart is included with each image or batch of images for BASIC print matching. (This chart helps print houses, who may not have the original artwork for colour matching, adjust the colour balance of their print systems)..


Digitising large artworks at actual size in high resolution creates HUGE image files...
Digitising large artworks at full resolution requires capturing detail far beyond the resolving power of any lens, film or digital camera which is why we digitise in sections. We can digitise art up to 1.5m x 2.3m at up to 300dpi. That's a file size of 1.34gb or 481 Megapixels! See the 200dpi and 300dpi samples below...


Oil painting courtesy of Kathrin Longhurst website


Canvas:
1.3m digitised at 200dpi. Watercolour: 70cm
digitised at 300dpi. Click images to view at 100%

Oil painting courtesy of Kathrin Longhurst website  Watercolour courtesy of Christopher Lemon


Some Common Questions...

What resolution is needed for the highest quality artwork digitisation?
At 100% reproduction size 150dpi is the minimum resolution allowable for digitising A1 or larger artworks that will be reproduced on heavy textured canvas or textured water colour papers. The long viewing distance of the copy and the textured media means the eye can not resolve more detail. Our minimum 'true' 200dpi resolution service is ideal for A2 to 2m artworks that may have details that need to be represented well at closer viewing distances like hallways and smaller rooms. Our 300dpi service is only required for the reproduction of the finest details from pen & pencil drawings, technical illustrations and maps that will be reproduced on smooth matt, lustre and glossy papers.

What is meant by 'true' resolution?
Beware of 'cowboys' that shoot with 'off the shelf' digital cameras and just sample up the file to give fake high resolution figures. Upsampling only gives big fuzzy images and poor quality, low contrast reproduction prints. Even worse the lenses used will create image distortion and unsharp, dark corners. Your artwork has to be digitised at high resolution to begin with using the best digital reprography and optical systems of the type used by European museums - and Digital Masters Australasia!

What do I get for the price?
All our images are supplied as 16bit Adobe RGB TIF files with basic colour matching and include a Gretag Macbeth colour reference chart. Close individual colour-to-colour matching via proof printing and precise adjustment is available as a billable option. For the digitisation of collections of artworks onsite or in the studio we can bill at hourly rates - please eMail
David Myers personally for a consultation and estimate of costs.

 

Pricing for Digital Reprography of Artworks: SEPTEMBER 2010 (inc. GST)

A. Mounted artworks up to A0 digitised at 339 x 508mm / 13.3" x 20" output print size, 300dpi
Will also print at 20" x 30" at 200dpi and 26.7" x 40" at 150dpi (minimum resolution for canvas printing).
Fully finished & retouched images ready for reproductions, book & catalogue illustrations and websites.

Single artwork up to A2 (42 x 60cm) digitised at 339 x 508mm / 13.3" x 20", 300ppi: .$66.00 each
Will also print at 20" x 30" at 200dpi and 26.7" x 40" at 150dpi (minimum resolution for canvas printing).
Additional artworks, same size range, digitised at same time as above: $44.00 each

Single artwork up to A1 (60 x 84cm) digitised at 339 x 508mm / 13.3" x 20", 300ppi:   $88.00 each
Will also print at 20" x 30" at 200dpi and 26.7" x 40" at 150dpi (minimum resolution for canvas printing).
Additional artworks, same size range, digitised at same time as above:  $66.00 each

Single artwork up to A0 (84 x 119cm) digitised at 339 x 508mm / 13.3" x 20", 300ppi: $110.00 each
Will also print at 20" x 30" at 200dpi and 26.7" x 40" at 150dpi (minimum resolution for canvas printing).
Additional artworks, same size range, digitised at same time as above:  $88.00 each

Collections of mixed size artworks digitised to your specific requirements: Billed hourly at $150.00 hr.

Note: 'Digital Master' images are supplied as 16bit Adobe RGB TIF fully optimised with dust & blemish retouching. Each batch supplied with a Gretag Macbeth calibration image digitised with the same lighting and camera settings as the artworks. For resolutions
suitable for life size reproduction see the services below.



B. Finely detailed artworks digitised at ACTUAL SIZE at 300dpi click to enlarge table
For reproducing finely detailed illustrations, watercolours & maps etc on photo & smooth art papers.


Single artwork cost includes set-up fee. Deduct $22.00 for digitising additional art at the same size.


C. Large artworks digitised ACTUAL SIZE at 200dpi click to enlarge table
For reproducing large detail brush art on woven canvas, textured cotton rag & watercolour papers.


Single artwork cost includes set-up fee. Deduct $22.00 for digitising additional art at the same size.

D. Additional Services

DVD Mac/PC with all files, monitor calibration image, thumbnail index cover sheet and case: $16.50 each

Colour-to-colour matching 'Sessions' Adjustment layer imaging $22.00 Approval Proof $22.00 each

Additional set of smaller files at web size, HDTV size, A6, A5, A4, CMYK colour etc: $5.50 each

Large File FTP Transfer including file conversions to LZW TIF or JPG. Up to 1Gb Total: $16.50 each

Online Gallery on our own server to promote your art. Much better than emailing files! From $66.50
Updated as you get additional works digitised.
See a basic example here: Click to view



E. About Image Finishing: Image Optimisation, Retouching and File Conversions.


Many photographers shooting with digital equipment just povide un-named 24bit JPG files 'dumped' on a CD. Even worse files are consumer sRGB (Web colours) rather than professional Adobe RGB (Print Colours) This is not acceptable. We digitise and optimise images using 48bit Camera 'RAW' files which are then carefully 'Optimised' to meet the artists's exact reproduction needs and colour standards. This is what we do...

01.   RAW digital files are converted to the correct ICC colour space: Adobe RGB for print or sRGB for web.
02.
   Image is straightened, cropped, scaled and has the resolution set to the final reproduction needs.
03.   The density and gamma is adjusted on a calibrated monitor for optimum print or web reproduction.
04.   Batches of similar images are colour graded so that every shot matches in tone and colour range.
05.   'Unsharp Masking' (sharpening) is applied to meet print ink trapping requirements.
06.   Any dust spots from the digital sensor and specks of dust and lint on the artwork are retouched out.
07.   If required additional files are created for different print sizes with Adobe RGB profiles & re-sharpened.
08.   If required we contact your print house and convert additional files to their preferred CMYK print settings.
09.   If required additional files are created for web & presentation needs (sRGB profile) and re-sharpened.
10.   Files are written to CDs or DVDs readable on Mac & Windows with thumbnail image covers sheets.
11.   Files are 'Archived' with your job settings so we can provide additional, matching work and backups.

Our colour managed 'Optimisation' procedures are performed on high-end Macintosh systems using pre-press calibrated monitors. We keep your costs down using custom procedures that speeds some procedures with batch processing. We also offer high end digital airbrush retouching and 'PostScript Clipping Path' deep etching services. Naturally we provide online proofing and large file transfer services and all files are archived for over seven years. That is the DMA difference - full service & support!

Please contact David Myers personally on (02) 9949 6090 for more information and bookings.

Also see: Archival Fine Art Printing and our 'BIG Canvas' Promotion


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You should see dark grey squares in the top 'black' bar
. Quick Calibration


                           


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By Appointment    14 Kitchener St.    Balgowlah 2093   Ph. (02) 9949 6090    Location Maps    Email:  David Myers
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